Every game in this series has the same engine: you need money, and Harvey Harvington has it. What changes is the light each game shines on him — horror figure in BloodMoney, warm protagonist in LoveMoney, fuller character in Love Money 2. This page is a field guide to the one character you can never trade away.
Start with the transaction, because Harvey always does. You are trying to raise $25,000 — for a surgery in LoveMoney, for survival in BloodMoney — and Harvey is the source. He does not haggle and he does not lecture. He simply keeps offering, and lets what you do next speak for you.
What makes him memorable is how much the games invest in his reactions. Harvey warms up, gets awkward, flinches, pulls away. Buy him a feather and the mood lifts; push past a boundary and you can feel the room get colder. Players do not remember their click counts — they remember the exact moment Harvey stopped smiling.
He also has a life. LoveMoney quietly establishes a home and a wife, which sounds like trivia until you reach the endings and realize the stakes were always larger than one transaction. That is the series in miniature: a simple money loop wrapped around a person.
Four games, four framings, one Harvey.
The first version of Harvey. You need money, he has it, and the game turns every exchange into a test of what you will do to get it. Here Harvey is unsettling — a generous figure framed by psychological horror.
Play BloodMoney →The spin-off that made Harvey a person. He offers money cheerfully, reacts to your gifts and gestures, and carries a life outside the game — including a wife. Your ending is really a portrait of how you treated him.
See the Endings →Harvey returns with sharper art and a wider vocabulary of interaction — petting, hugging, dancing, and more — that lets your particular habits show up in his disposition.
About Love Money 2 →BloodMoney 2, the horror sequel, where the series' questions about Harvey get their starkest framing and you shape his fate directly.
About HEP →No quotas, no timers, no forced failure. Harvey's generosity removes every excuse, so whatever you do to him, you chose.
The games give Harvey real feedback loops. Your route is legible in his face long before the ending confirms it.
Home, wife, moods, limits. The more the series adds, the harder it becomes to treat Harvey as a vending machine — which is the point.
Harvey Harvington is the central character of the BloodMoney and LoveMoney game series. He is the man who gives you money — in BloodMoney under psychological pressure, and in LoveMoney as the warm heart of a story about how you treat someone who keeps giving. Every game in the series is built around him.
Yes. LoveMoney references Harvey's home life, including his wife, and the darkest ending in the game — The Ultimate Betrayal — is dark precisely because the consequences reach the people close to him, not just Harvey himself.
Yes. Harvey appears in BloodMoney, LoveMoney, Love Money 2, and BloodMoney 2 (Human Expenditure Program). Each game reframes him — horror figure, generous friend, richer character, fateful protagonist — but he is always the constant.
Because the games never make him a prop. Harvey reacts, flinches, warms up, and pulls away based on what you do, which makes players genuinely care about how they treat him. That is the whole design: the money is the game, Harvey is the story.
Reading about Harvey is one thing. Feeling the room change after a choice you cannot unmake is the other.
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